What is pixel pitch and why does it matter while filming virtual production on LED walls? We breakdown the different sizes of pixel pitch, how it's used, and how it effects film and tv productions.

These tips will change the way you create your next Unreal Engine project by showing you how to bridge the gap between traditional and virtual filmmaking.

Today we explore how parallax is used on mixed-reality virtual production sets [LED walls].

Camera tracking systems are what make XR Virtual Production (ICVFX) possible. We explore the pros and cons of the two primary types of tracking systems.

This interview with Edd dives into what it takes to work in Virtual Production, the exciting future of the industry, and tips on how to get started in Virtual Production, using Unreal Engine.

Arthur Baum, a DOP based in Leipzig Germany, takes us on a journey into his experience using Unreal Engine 5 to produce incredible virtual photos.

Moiré, more commonly known as aliasing, is a serious problem in virtual production, fortunately there are quick solutions that don't require recalibrating your LED Volume.

Audio Engineer Dmitri Belichenko breaks down our short film “Imagine” shot using mixed reality virtual production and the Unreal Engine.

This was our first time filming virtual production on an LED volume and it went amazing. Check out how we got production ready with SIRT at Pinewood Studios.

We did the research so you don't have to! Here's everything you need to know about building a PC specifically for ICVFX Virtual Production.

What is virtual production? How will it change filmmaking forever? Consider this your introduction to ICVFX Virtual Production!